I'm an artist and a designer based in Brooklyn. I paint out of a studio in Gowanus, and I design visual worlds — for fashion brands, editorial platforms, and cultural projects — where image, type, and concept work as one. The two practices live in the same studio and ask the same question: what gets seen, what gets hidden, and who decides.

I came up making flyers and album artwork for the independent hip-hop scene in late-90s. From there I studied multimedia at NYC SAE School of New Media (2000), spent time in Tokyo studying traditional Japanese printmaking (2004), and earned my BFA in Fine Arts *Magna Cum Laude* from Pace University in 2008, where I studied under Jane Dickson and Linda Gottesfeld. By the time I finished the BFA I had already been working as a designer for several years.

My fine art practice explores surveillance, control, and transformation in contemporary life. Working primarily in oil and acrylic, I depict dark, dystopian urban imagery — empty cityscapes, surveillance cameras, and, most recently, androids and cyborgs. The work is organized into ongoing series — *Les Robots Arrivent Bientôt*, *NY State of Mind*, *Peek-a-Boo*, *Spy vs Spy*, and *D-Fens* — a sustained inquiry into what it feels like to live and disappear inside a city automating itself. The premise underneath: we are mid-metamorphosis, a biological caterpillar making a cocoon to become a digital butterfly. My first solo, *Please Listen to My Demo*, was at BT+A Gallery (Sag Harbor, 2019); I've also shown at Sacred Gallery NYC (curated by Ricky Powell, 2015), WhiteBox (2012), and Fuse Gallery (2011). Work is held in private collections including the photographer Timothy McGurr (13thWitness) and Gregor Gracie. Fine Arts portfolio at ledeux.net

In design, I've worked across art direction, brand identity, apparel, packaging, and editorial for over two decades. From 2006 to 2011 I was a designer at Starks Laces, contributing to collaborations with Nike, Marc Jacobs, OriginalFake (KAWS), Colette Paris, HUF, Timberland, and The Gap — including the Air Force 1 *Hyperstrike* with DJ Clark Kent — and earning the brand 14 features on Hypebeast. From 2011 to 2013 I worked freelance on Burton Snowboards' *Heritage* outerwear line alongside Alex Dymond, reinterpreting archival 80s and 90s graphics across two full seasons. I designed the complete release package for the Just Blaze × Packer Shoes × Saucony *Casino* collaboration, and custom BJJ gis for Igor and Gregor Gracie. For twelve years I held a parallel role at Viacom / MTV Networks (2002–2014) as Digital Encoder & DES Supervisor, managing digital content workflows across fourteen networks. Alongside all of this, I've been building my own NYC brand, **ThisIsh**, as a self-directed creative project for over twenty-five years. Design portfolio at thisish.com/portfolio.

The connection between the two halves is simpler than it looks: both come from the same eye, and the same materials keep showing up. The camouflage that runs through *Peek-a-Boo* lines the inside of the Igor Gracie gi I designed and the boxes I make for ThisIsh — visibility and obscurity, used three different ways. Concept first. Close attention to the details most people move past.

Based in Brooklyn. Active studio practice in Gowanus alongside client and commercial work.

For inquiries, collaborations, studio visits, or projects:

ledeux.net@gmail.com